Gibson ES 125 was a real instrument, this was in 1956. I started learning; I had a vision of a sound.

I give NFL quarterbacks a lot of leeway for a couple of years.

I had admired Waylon [ Jennings], but I never expected to meet him and get to know him. When I finally moved to Nashville years later, one night I went to a Harlan Howard Guitar Pull thing, and there was Waylon. He started talking about how much he loved my work and how great I was, and I couldn't even get a word in.

I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.

I was a young folk singer, or wanted to be. I really wanted to be a New England folk singer, but they never would accept me. I was always hard to categorize, and people wouldn't know what to make of it.

James Burton was playing some pure roots stuff. Gram Parsons took an interest in that record [in '68-'69] and he admired it. I never had the concept that I'm going to go somewhere and I'm going to have this career. I just really never thought about all that.

I like the idea of having an old Gibson [guitar], but I don't have one. The Gibson has a different quality, but it's almost like you need both.