You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.

When it is perceived that a show has gone awry, the pressure is staggering, and as a writer caught in that storm, it feels like you are being attacked by jackals.

I think the best work flows out of a collaborative environment.

The thing that has always interested me in the kinds of shows that I do have more to do with the consequences of behavior than the behavior itself. Pulling a trigger and shooting somebody, or dismembering somebody.

You have to give directors and cinematographers a word blueprint for visuals, but I had to learn that from experience.

Film provides an opportunity to marry the power of ideas with the power of images.

Casting is sort of like looking at paintings. You don't know what you'll like, but you recognize it when you see it.