I guess there's just a time for doing dumb things.

The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.

Always speak politely to an enraged Dragon.

There is no excuse for bad manners, except fast reflexes.

Because here’s the thing: No matter how much one tells stories of magical beasts or impossible worlds, in the end, it is always the world of here and now one is writing about. The better one understands that world, the more powerful the stories will be.

That's what does it-- that moment where you think you're lost, and then discover that you're not, that you've never really left. There's something that happens in that incredible tiny no-time, and that something is like the revelation of learning.

The others followed, and found themselves in a small, stuffy basement, which would have been damp, smelly, close, and dark, were it not, in fact, well-lit, which prevented it from being dark.