So you say, with your shiny hair and pouty lips - and those breasts - just wait till you start dropping whelps, they'll be at your ankles one day, big as they are - not the whelps, the breasts. The whelps will be in your hair - no, not the shiny hair on your head, well, yes, that hair, but only as a manner of speech.

There is no struggle too vast, no odds too overwhelming, for even should we fail - should we fall - we will know that we have lived.

Do mortal fools still measure the increments leading to their deaths, wagering pleasures against costs, persisting in the delusion that deeds have value, that the world and all the gods sit in judgment over every decision made or not made?

Death cannot be struggled against, brother. It ever arrives, defiant of every hiding place, of every frantic attempt to escape. Death is every mortal's shadow, his true shadow, and time is its servant, spinning that shadow slowly round, until what stretched behind one now stretches before him.

All art is an intensely vulnerable gesture, and it is made with no small amounts of risk, and fear. So, I have plenty of sympathy for self-defense mechanisms, especially among artists.

A story invites both writer and reader into a kind of superficial ease: we want to slide along, pleasingly entertained, lost in the fictional dream.

The Wickans know that the gift of power is never free. They know enough not to envy the chosen among them, for power is never a game, nor are glittering standards raised to glory and wealth. They disguise nothing in trappings, and so we all see what we'd rather not, that power is cruel, hard as iron and bone, and thrives on destruction. ~ Deadhouse Gates