Betrayal was the greatest of all crimes, for it took all that was human within a person and made it a thing of pain. In the face of that, murder itself was surcease: it was quick, and it ended the anguish and despair of a life without hope.

Civilization after civilization, it is the same. The world falls to tyranny with a whisper. The frightened are ever keen to bow to a perceived necessity, in the belief that necessity forces conformity, and conformity a certain stability. In a world shaped into conformity, dissidents stand out, are easily branded and dealt with. There is no multitude of perspectives, no dialogue. The victim assumes the face of the tyrant, self-righteous and intransigent, and wars breed like vermin. And people die.

And over it all, the butterflies swarmed, like a million yellow-pettalled flowers dancing on swirling winds.

Ah, Fist, it’s the curse of history that those who should read them, never do.

Ah, Meese has brought us her finest goblets! A moment, whilst Kruppe sweeps out cobwebs, insect husks and other assorted proofs of said goblets' treasured value.

With the Black Company series Glen Cook single-handedly changed the face of fantasy—something a lot of people didn’t notice and maybe still don’t. He brought the story down to a human level, dispensing with the cliché archetypes of princes, kings, and evil sorcerers. Reading his stuff was like reading Vietnam War fiction on peyote.

No purer artist exists or has ever existed than a child freed to imagine.