You know that when you suggest something on the page, it's going to be there, plus more. It's a great luxury to know that you don't have to push it. You just lay it out, and it will be there.

A creative person can suddenly realize it's not 90 minutes. They haven't got to do three acts, they haven't got to do the arc, but they can do other things. I think just as novellas turned into novels, I think that television series can begin to have that depth.

I don't think that jealousy and love and hate and anger and all those things have changed in the past 200 years - people just express themselves differently.

You know that when you suggest something on the page, it's going to be there, plus more. It's a great luxury to know that you don't have to push it. You just lay it out, and it will be there.

I am someone who thinks that if you've got an actor like that who wants to perform your work, then you should do it, and hopefully Tom [Hardey] likes to do the work that I do, so long may it continue.

I'm always interested in characters who are closed down, but who open up when they choose to, rather than when they're obliged to. I think that's a very appealing thing, for an audience and just in life. I like the idea that something will say nothing, and then get straight to the point. That feels like how your heroes should be.

Whenever I see a cut of a film and something is gone, I don't notice it unless it obviously should have been kept.