Hopefully I can inspire lots of people to learn about [Patti Smith], to read poetry or learn about William Blake or Arthur Rimbaud.

There are a lot of layers in the film [Dream of Life]. And during editing we would try to tame all the layers, try to make things a little bit more understood. We would move scenes around. We'd try all these things.

She let me in during her tour, in London. Her band members - especially Lenny Kaye - were shocked at the fact that I was filming Patti [Smith].

We just grew to trust each other [with Patti Smith] more and more over the years. Most of the time I didn't even have a movie camera.

Fashion's been really good to me. It financed Patti Smith: Dream of Life.

Many of my family members are teachers in the arts, and I picked up the camera years ago, in high school.

When I started photographing Patti [Smith], I knew that there wasn't a whole a lot of information out there about her. I was periodically interested in films, and so I just kept asking her if I could come around.