A big part of making an album is that you want to have enough material - you want to have enough stuff for people to hear and know that it represents you. So it does sometimes turn into a situation where you're saying to the person you're working with, "Well, what do you want?" But then there are other times when I work with people and they'll turn to me and say, "How do you want to do this?" And that's actually when I work best.

When you get a certain level of resources, and you want things a certain way, I find it difficult to get too belligerent because it's not my money.In this case it is. It’s a lot easier to stand your ground and say “I want it like this” when you know it’s your money you’re spending.

"A meteor hits planet Earth" - that's a story idea but that doesn't give me any indication of what the character is.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

When I look around the world and think why is everything working or not working, it's because it's entrenched ideology. You can't solve a problem if you're sitting down with people who say, "All these ideas are off the table because of what I believe."

Everything is the director's fault - you can quote me on that. There are no excuses.

A Movie That Costs Only $1.6 Million Doesn't Have to Be a Cultural Event to Turn a Profit.