Some filmmakers, you know, have their style and then they kind of go looking for the movie. I'm not like that. I don't have one style that I want to take from movie to movie.

My first three movies, I didn't start editing until we were finished shooting. That's unthinkable to me now.

People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.

If you think that because you're Che, when you go into Bolivia, when people find out it's you, that they're going to have the same kind of reaction that the Cubans had to Castro, then you're high.

But my sense in talking to people when I travel is that the film business is not that dissimilar from a lot of other businesses.

I like a lot of different kinds of movies, I like a lot of different kinds of paintings.

I find myself in situations a lot where I have to say to someone, "This can be better," and it's hard to say that.