When things go right it's hard to figure out why, but when things go wrong it's really easy.

I'm not precious about anything. The effort it took to get something means nothing to me in post.And it means nothing to the audience. I'll chop limbs off. I'll put an arm where a leg should be. I'll do anything.

In Full Frontal and K Street, I learned to take advantage of the mobility that digital provides.

Your take on things is what is either going to make you somebody people talk about or no.

I'm probably more character-driven than plot-driven. It's rare for me to attach myself to an idea for a story.

I never leave the writer behind, because you rewrite the movie in post, or at least I do. I always do, and I feel like anybody who doesn't at least explore that possibility is short-changing themselves. Editing is the most fun and most exciting part of the process.

Usually I'm thinking about the palette. I'm thinking about the color for the most part, then I'll start thinking about composition and movement.