I always have a plan, but then I'm always ready to throw the plan out, and everyone's ready to make a radical left turn if necessary.

People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.

There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.

I'm still very affected and moved by their music - maybe in a way that's different from someone who grew up around it.

There is sadness of when you're watching someone enjoy something that you think is substandard. The ineffable sadness when someone is happy and something is not as good as it should be.

Jude [Law] is really good at playing an obsessive. He has a very watchable quality when he's on a quest for something.

People are sort of numb to watching violence, but sexual activity is still as strong as it ever was in terms of generating response.