I'd love to build a company that will continue to make movies well beyond me someday. And I'd like to help start something great, even investing in it myself.

A lot of the films I've made probably could have worked just as well 50 years ago, and that's just because I have a lot of old-fashion values.

I'm certainly hoping that 3D gets to the point where people do not notice it because once they stop noticing it, it just becomes another tool and an aid to help tell a story.

The costume the actors wear and if they're in stylized makeup and wigs in a live-action movie let's say, in a big costume drama, even though it does give them a sense of great ambience and environment and they kind of feel like they're in a great court, or if they feel like they're in the old west, or if they feel like they're being chased by hobbits or dinosaurs, it all comes down to the actors looking each other in the eye.

I like that the best about DVD: how small it is.

In the whole history of movies, there has been nothing like Kubrick's vision. It was a vision of hope and wonder, of grace and of mystery, of humour and contradictions. It was a gift to us, and now it's a legacy.

I feel I'm all over my movies. I know my movies are all over me.