I've got a lot of examples about moments where I thought something would work on film and it didn't work, but I never came to that decision with the film half shot, where I was stuck on a runaway train and couldn't jump off. On those occasions where I have admitted defeat, that this is not going to work, I haven't embarked on that project and made that movie.

The thing that I'm just scared to death of is that someday I'm going to wake up and bore somebody with a film.

All through my career I've done what I can to discover new talent and give them a start.

The work that I'm proudest of is the work that I'm most afraid of.

In the whole history of movies, there has been nothing like Kubrick's vision. It was a vision of hope and wonder, of grace and of mystery, of humour and contradictions. It was a gift to us, and now it's a legacy.

She wanted to go over and hug his tears away, but she was too frightened.

Audience members are only concerned about the story, the concept, the bells and whistles and the noise that a popular film starts to make even before it's popular. So audiences will not be drawn to the technology; they'll be drawn to the story. And I hope it always remains that way.