The most amazing thing for me is that every single person who sees a movie, not necessarily one of my movies, brings a whole set of unique experiences. Now, through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time.

Not every movie, in my opinion, should be in 3D. There are a lot of stories I wouldn't shoot in 3D. But, you know, there are movies that are perfect in 3D.

My early exposure to all the leviathans of the Saturday matinee creature features inspired me, when I grew up, to make 'Jurassic Park.'

Like, I took no poetic license with 'Schindler's List' because that was historical, factual documents.

People often tell me how much they love the digital skies that we obviously painted for 'War Horse.' Well, there's not a single sky that we put in through special effects. The skies you see in the movie are the skies that we experienced - but it was definitely challenging at times.

The work that I'm proudest of is the work that I'm most afraid of.

The age doesn't really matter to me as it seems to matter to other people. A lot of people think that youth or age is the total sum of your knowledge about anything, and it's absolutely untrue. I think I might have even known more five years ago than I do now.