I know a lot of people who say, "I reluctantly watched the first episode because I don't really like zombies and that stuff, but I was pleasantly surprised by the characters and the drama of it all." I think that's what keeps people coming back and brings new watchers to the show. What the show does is cross many, many different viewerships.

I was more into music, before I got into college. In high school, I used to play guitar and sing. I did a lot of that. But, when I graduated and went to college, I remember my freshman year and this girl from across the hall, who is one of my good friends to this day, had a brother who was in the school improv team. We went to go watch a show and it blew my face off.

I'm not much of a horror fan. When it comes to ghost stuff and demon stuff, I can't watch that.

Many people, not just Asians, are more concerned with hustling and getting to meetings with contacts to gain success.

I felt like I've needed to ask my parents up until about four years ago about everything. They have helped me tremendously, I came out of college with no debt. Everything they made, they just poured into my education.

The book is about zombies, in that it is the over-arching theme, but what's going on is the story of these people and how these survivors deal. I think that's so much more of an interesting story, and that's what really gets and hooks these readers into the book and the show. It's a mix of fans of drama, fans of AMC, fans of horror and fans of Frank [Darabont]. It's a lot of people just coming together and realizing a genre doesn't have to be fixed in one specific detail.

I remember the first day I got there, they started the take and after four takes I was on the ground, on my back, with a banana and a Twizzler in my hand, and my face was green, and they said, "You can't get back on set for another 30 minutes." That was a, "Welcome to Atlanta," and that put everything in perspective.