There is a part of me that has to depend on fantasy, because if you can't be somewhat of a fantasy person, then you can't write

Rock and menopause do not mix. It is not good, it sucks and every day I fight it to the death, or, at the very least, not let it take me over.

I don't love the years going by. I'd just as soon stay forty-five. But it's OK because I feel a whole lot better than I did at thirty-five.

As a member of Fleetwood Mac, for two weeks I was still working at the restaurant because I'd given them notice. I didn't just want to walk in there and say, "'I'm going to be a famous rock star so I quit and I never liked your food anyway".

When you're hurt or angry, let go by tapping into your humbleness. You want people to remember you for your grace.

I watched Janis one time - we opened for her - and that's the only time I ever saw her. We opened for Jimi Hendrix. I got to stand on the side of the stage and watch him for two hours and then he died. But I got the essence before they left.

The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'