When I play from my mind I get in trouble.

Some people don't understand that but it's nice when it really just gets to the point then that it [music] doesn't get played so much that you're overdoing a lot of things; that it's fresh ideas. And they come out fresh and if you're already in the mode, I guess, to simplify some things so that it comes across better on record, it's the right time to be tasteful with somethin'.

I play as many different things - piano, sax and harp parts - as I can at once. Whatever I can fit, whenever I need to.

After I changed the string we picked up right where we left off - and punched back in at the same time. I don't know if this has ever been done before. The engineer sort of looked at us weird, but we got it on the first take.

I mainly use Stratocasters. I like a lot of different kinds of guitars, but for what I do, it seems that a Stratocaster is the most versatile. I can pretty much get any sound out of it, and I use stock pickups.

It is the human things that make life good, the unexpected kindness, the friendly note, the bracing word, the neighbour's extra loaf of bread she leaves at our back door.

To be honest with you, I'm not sure what a pop tune is. I'm sure if I hear it on the radio, I'd say that's pop or this or that. But, really, what I pay attention to the most is just music that moves me. It's all at least a root-type music instead of a formula.