A great artist ... takes what he did not make and makes of it something that only he can make.

Not Waving but Drowning Nobody heard him, the dead man, But still he lay moaning: I was much further out than you thought And not waving but drowning. Poor chap, he always loved larking And now he's dead It must have been too cold for him his heart gave way, They said. Oh, no no no, it was too cold always (Still the dead one lay moaning) I was much too far out all my life And not waving but drowning.

Oh Lion in a peculiar guise, Sharp Roman road to Paradise, Come eat me up, I'll pay thy toll With all my flesh, and keep my soul.

Unpopular, lonely and loving, Elinor need not trouble, For if she were not so loving, She would not be so miserable.

But one wants the idea of Death, you know, as something large and unknowable, something that allows a person to stretch himself out. Especially one wants it if one is tired. Or perhaps what one wants is simply a release from sensation, from all consciousness for ever.

I love Death because he breaks the human pattern and frees us from pleasures too prolonged as well as from the pains of this world. It is pleasant, too, to remember that Death lies in our hands; he must come if we call him. ... I think if there were no death, life would be more than flesh and blood could bear.

My friendships, they are a very strong part of my life, they are as light as gossamer but also they are as strong as steel. And I cannot throw them off, nor altogether do with them or without them. And I love them at the point where they say: It is nice to see you again. And I love them too at the point when they say: Good-bye, come again soon. The rhythm of friendship is a very good rhythm.