The sins of the Midwest: flatness, emptiness, a necessary acceptance of the familiar. Where is the romance in being buried alive? In growing old?

Getting inside your character's head and letting the reader see the world through not just their eyes but their sensibility creates an intimacy that can't be duplicated in any other medium.

The spirit of Jane Eyre looms over Once Upon a Day. Lisa Tucker keeps the plot of this gothic novel bubbling with tons of juicy family secrets.

You couldn't relive your life, skipping the awful parts, without losing what made it worthwhile. You had to accept it as a whole--like the world, or the person you loved.

Saul Bellow once said, 'A writer is a reader who has moved to emulation' — which I think is true. I just started writing and made that jump from reader to writer and learned how hard it was, but also how much fun it was — losing myself in these imaginary worlds.

All stories teach us something, and promise us something, whether they're true or invented, legend or fact.

It is not brilliance or facility that is necessary, but the determination to bear and even enjoy the dull process of wading into one's own bad prose again, and one more time, and then once again, with the utmost concentration and taste, looking for opportunities to mine deeper.