Getting out of the comfortable path, that's what exploration is all about.

Poetry is its own medium; it's very different than writing prose. Poetry can talk in an imagistic sense; it has particular ways of catching an environment.

I've already written 300 space poems. But I look upon my ultimate form as being a poetic prose. When you read it, it appears to be prose, but within the prose you have embedded the techniques of poetry.

It's hard to say what drives a three year-old, but I think I had a sense that nature was my solace, and nature was a place in which there was beauty, in which there was order.

I have a great relationship with animals, and with children. I get to their level. I try to see the way a child looks at the world, it's hugely different.

I work for perfection, for perfection's sake. I don't care what the external reasons are. And it's much more like a ballerina on opening night. You've done what you've got to do. When you go out, the purpose is to turn a perfect turn. You are not thinking about the future of the company, you are not thinking about your future, you're not thinking about the critics, it is you and the perfect turn.

The way you remember the past depends upon your hope for the future. And if what you see in your future has no hope, it has no potential, then you view the past that brought you to here as not very good.