Héctor Tobar's accomplished first novel affords a perspective that is overdue and urgently needed in North American literature- -an insider's vision of L.A. as a Third World city. The Tattooed Soldier is a riveting book that manages to be at once politically informed and at the same time a psychologically astute study of that most elemental of stories: revenge.

Love, it’s such a night, laced with running water, irreparable, riddled with a million leaks. A night shaped like a shadow thrown by your absence. Every crack trickles, every overhang drips. The screech of nighthawks has been replaced by the splash of rain. The rain falls from the height of streetlights. Each drop contains its own shattering blue bulb.

But we didn't, not in the moonlight, or by the phosphorescent lanterns of lightning bugs in your back yard, not beneath the constellations we couldn't see, let alone decipher, or in the dark glow that replaced the real darkness of night, a darkness already stolen from us, not with the skyline rising behind us while a city gradually decayed, not in the heat of summer while a Cold War raged, despite the freedom of youth and the license of first love-because of fate, karma, luck, what does it matter?-we made not doing it a wonder, and yet we didn't, we didn't, we never did.

Héctor Tobar's accomplished first novel affords a perspective that is overdue and urgently needed in North American literature- -an insider's vision of L.A. as a Third World city. The Tattooed Soldier is a riveting book that manages to be at once politically informed and at the same time a psychologically astute study of that most elemental of stories: revenge.

Loaded with note cards for research papers that I was hopelessly behind on, I'd enter the Public Library only to end up wandering around lost, wasting the day.

The public library is where place and possibility meet.

In 'Labor Day Hurricane, 1935,' Douglas Trevor vividly recreates a historical event. While that is the only story in A THIN TEAR IN THE FABRIC OF SPACE in the historical past, many of the other stories juxtapose fact-both historical and scientific-with narration to an engaging effect, one that distinguishes the voice of this new writer.