We create these walls between fact and fiction, but often the difference between the two is as little as that between a real name and a pseudonym. So I'm not sure about those walls - certainly not in the realm of visual arts.

I love photographing. I love the experience of being around all the things that surround you when you go out to do work.

The world of photography is very self-aware. Everybody is always looking around. So it's quite difficult to stand up with a megaphone and declare, "This is what I think." As a reasonably shy person, I found it difficult to do that.

Newspaper photographs nowadays are highly tautologous. You'll have an article about, say, stopping the war. And the photograph that will be used is literally a poster that reads "Stop The War." Or you'll have a story about a cash crisis in Barcelona, and the only picture you'll see is an ATM in Barcelona. The problem is actually systemic. On the one hand, you'll have a picture of a soda can to "illustrate" an article about the dangers of sugary drinks. On the other hand, anything that's reasonable in documentary photography is snapped up by the art world and we never see it.

Environmentalism is a personal thing - but it's also a planetary thing. It's about making deep connections. But it's also about recognizing the very human connection between species diversification and ourselves.

I Love photographing. It’s that simple.

Well, people from the "me" generation use photography to show off what they are doing, to show the world themselves and their friends. Those sort of diarized accounts have always been there. But the phenomena of making those diaries public is new, isn't it?