The photographer discovers himself/herself being photographed and we can guess he is uncomfortable. Unsuccessfully he/she tries to recompose his posture and to look like a photographer taking photos. But no, he is and continues to be a spectator. The momentous fact of being photographed leads him to becoming an actor. And, as always, actors must assume a role, which is only an elegant way of avoiding to say they must choose sides, choose a faction, take an option.
Subcomandante MarcosWe don't want to impose our solutions by force, we want to create a democratic space. We don't see armed struggle in the classic sense of previous guerrilla wars, that is as the only way and the only all-powerful truth around which everything is organized. In a war, the decisive thing is not the military confrontation but the politics at stake in the confrontation. We didn't go to war to kill or be killed. We went to war in order to be heard.
Subcomandante MarcosThe powerful have invoked God at their side in this war, so that we will accept their power and our weakness as something that has been established by divine plan. But there is no god behind this war other than the god of money, nor any right other than the desire for death and destruction... Today there is a “NO” which shall weaken the powerful and strengthen the weak: the “NO” to war.
Subcomandante MarcosEvery time the diaphragm winks, the camera repeats the question that now travels through cyberspace and invades, as a modern virus, the memories of machines, men and women. The question that history sets forth. The question which forces us to define ourselves and whose answer makes us human: On which side are you?
Subcomandante Marcos