Question the images. Take them by the hand and don't let the sweet distancing they offer you vanquish you; do away with the distance's comfort or the soft indifference you derive from concentrating on the quality of the framing, the use of light and shadows, the successful composition. Force these images to bring you to the Mexican Southeast, to history, to the struggle, to this taking sides, to choose a faction.

... the photographer is a thief who chooses what he steals (which, at this stage of the crisis, is a luxury) and does not democratize the image, that is to say, the photographer selects the pictures, a privilege which ought to be granted to the person being photographed.

The world we want to transform has already been worked on by history and is largely hollow. We must nevertheless be inventive enough to change it and build a new world. Take care and do not forget ideas are also weapons.

In our dreams we have seen another world, an honest world, a world decidedly more fair than the one in which we now live. We saw that in this world there was no need for armies; peace, justice and liberty were so common that no one talked about them as far-off concepts, but as things such as bread, birds, air, water, like book and voice.

Marcos is all the exploited, marginalised, oppressed minorities resisting and saying "Enough!" He is every minority who is now beginning to speak and every majority that must shut up and listen. He is every untolerated group searching for a way to speak. Everything that makes power and the good consciences of those in power uncomfortable - this is Marcos.

Our choice is not between war and peace but between life with dignity or without

Every time the diaphragm winks, the camera repeats the question that now travels through cyberspace and invades, as a modern virus, the memories of machines, men and women. The question that history sets forth. The question which forces us to define ourselves and whose answer makes us human: On which side are you?