Stories are amazing and powerful because they can resonate with people depending on their needs and experiences and speak truths we need to hear in that moment in time.

I don't hold to the idea that God causes suffering and crisis. I just know that those things come along and God uses them. We think life should be a nice, clean ascending line. But inevitably something wanders onto the scene and creates havoc with the nice way we've arranged life to fall in place.

Where do you come from?"...This is the number one most-asked question in all of South Carolina. We want to know if you are one of us, if your cousin knows our cousin, if your little sister went to school with our big brother, if you go to the same Baptist church as our ex-boss. We are looking for ways our stories fit together.

I realize what a strange in-between place I am in. The Young Woman inside has turned to go, but the Old Woman has not shown up.

I have noticed that if you look carefully at people's eyes the first five seconds they look at you, the truth of their feelings will shine through for just an instant before it flickers away.

I marvel at how good I was before I met him, how I lived molded to the smallest space possible, my days the size of little beads that passed without passion through my fingers. So few people know what they're capable of. At forty-two I'd never done anything that took my own breath away, and I suppose now that was part of the problem - my chronic inability to astonish myself.

We need Goddess consciousness to reveal earth's holiness. Divine feminine imagery opens up the notion that the earth is the body of the Divine, and when that happens, the Divine cannot be contained solely in a book, church, dogma, liturgy, theological system, or transcendent spirituality. The earth is no longer a mere backdrop until we get to heaven, something secondary and expendable. Mater becomes inspirited; it breathes divinity. Earth comes alive and sacred. And we find ourselves alive in the midst of her and forever altered.