My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.

My siblings and I were raised like tenants, to be honest. There was a total absence of intimacy in my family, though there was still a great deal of camaraderie among the kids. Things were set up almost like a business, and it had to be managed that way because we were really poor, and there were a lot of mouths to feed.

The music is the imperative. It has the upper hand. I think all music, even though it's an abstraction, does motivate a particular meaning. Then it's the job of the musician to honor that meaning and to somehow implement lyrical material that can accommodate that emotional environment.

Love is unconditional and incomprehensible. And I believe it's possible to love absent of mutual respect.

Yes, the kingdom of Christianity and the Church has been one of the most destructive forces in history, and there are levels of bastardization of religious beliefs. But the unique thing about Christianity is that it is so amorphous and not reductive to culture or place or anything. It's extremely malleable.

Tuesday night at the Bible study we lift our hands and pray over your body, but nothing ever happens.

I think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.