I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.
Sufjan StevensIt's a mystical quality of music, that music isn't really concrete, and it's communicating abstractions about imaginary worlds. At least, my music's like that. It's not real. It's unreal, it's all fabrication. To write a song about Obama would suddenly break the spell.
Sufjan StevensFiction has always been a thorn in my side, because I've always wanted to be a writer but I can't seem to really do it.
Sufjan StevensThere's a sense of urgency in understanding that your body is not really your own. We can control it to a certain extent through habits and good behavior, but there's so much we don't have control of.
Sufjan StevensI've always been obsessed with electronics and using computers and software. It's always been part of my vernacular.
Sufjan StevensI think that music has always been restricted to media. The LP is an antiquated form, and the CD is now an antiquated form, and there's no sense grieving. Music is forever, there will always be songs. It's exciting that we're not limited to the media any more. I don't hold a precious view of my work, that it exists outside of social constructs or the confines of a platform.
Sufjan StevensI think a lot of my interest in history now isn't so much in places and names and texts and public figures, but more in examining all the nuances and idiosyncrasies of particular stories of everyday people. And if that doesn't happen, then I usually transplant myself and my own stories to a particular historical event. Which is why you'll see me, the first person pronoun, interacting in a song about Carl Sandburg, or you'll find my [sic] interacting with Saul Bellow. It's sort of a re-rendering of history and making it my own.
Sufjan Stevens