The World's Fair was the precursor to theme parks like Disneyworld, and the really sort of cheap, superficial promotional architecture that you see everywhere in the US. I think there's a danger when you start creating a civilisation that isn't meant to last.

One of my strongest memories is my father playing bongos in the living room in Detroit listening to Motown radio. He was this skinny white bald guy, but he was really moved by blues and Motown and funk.

My only concern about art collaborations is that I never thought of myself as an Artist. My tax forms say Musician/Songwriter.

I love kissing. If I could kiss all day, I would. I can’t stop thinking about kissing. I like kissing more than sex because there’s no end to it. You can kiss forever. You can kiss yourself into oblivion. You can kiss all over the body. You can kiss yourself to sleep. And when you wake up, you can’t stop thinking about kissing. Dammit, I can’t get anything done because I’m so busy thinking about kissing. Kissing is madness! But it’s absolute paradise, if you can find a good kisser.

I've been working a lot on figuring out how to sing differently and better. I want to become a better singer. I want to sing out more. I want to me more extroverted, vocally.

The World's Fair was the precursor to theme parks like Disneyworld, and the really sort of cheap, superficial promotional architecture that you see everywhere in the US. I think there's a danger when you start creating a civilisation that isn't meant to last.

I'm no longer beholden to the sacredness of the recorded song as some kind of ultimate standard by which every performance of the song is measured. I like to diversify, that there are multiple versions of every song. And the songs incorporate a lot of improvisation, and an element of chance, and I think that's exciting. There's no one true formulation of a song, they have various manifestations depending on the space we're in. I like that.