I wanted to do an album that was very simple and very minimal in the context of instrumentation and stuff. I wanted to use as few means as possible to create a very powerful and interesting sound that would breathe.

I always put a little bit of restrictions on myself, and I only do it for my creativity.

I want the music to stand out a little bit more than many other bands do. I still have some stuff where I don't use the high hat, and I don't use any crash cymbals. It just makes for an interesting sound because you don't really notice it when it's not there, but if it was there, you would definitely hear it.

We started out with a lot of bands in the same generation as ours, and there are very few left. Mainly, I think people get into it for the wrong reasons. They either want fame or the girls. I think music has to be a fun experience, but it also needs to be in your blood. I firmly believe I was born to write beautiful music, and that's what I do, and that's why I don't do anything else, because I have no interest and no passion for it.

Photography and movies are a much bigger influence on me than music is itself.

I don't really care about labels that much. I wouldn't really call our music retro. There are influences of things from the past, which there is in everything. I think we're quite a modern band, actually. We don't record with old equipment. We use computers and programmed drums. We don't use any guitar amplifiers. We're very much a modern band in the sense that we love computers and what they can do to music. I guess we're just good at a different sound.

Once I have something that I think I can work with, then I'll go in and make it on the computer. I'll try to recapture the sound that I had in my head when I was thinking about it. That's usually how I do it.