I have no idea why, and this is others' observations of me - I tend to be in the realm of these very complicated personalities. I guess I enjoy corralling that.

I had no interest in really becoming an actress or doing that kind of thing I just knew that I wanted to do something in making films.

What I saw over all that time were so many deals disappearing and producers disappearing, fewer movies getting made, and it just being a bit more difficult. Working with Joel, we were in a bit of a bubble because he was always making things that were working for the studio and that kind of thing. We were always in production on something.

I'll put it this way, there was no C.P. Kennedy, there was no Dwight Dickham, we never went in the courtroom. That was the script I got. The affliction that the judge is suffering from was completely different.

A long way of saying I've seen a lot of kind of more systemic and processed changes. Although we still are providing the kind of material you're still seeing out there now.

If there was no Hollywood, no next movie, no deal at Warner Brothers, no place in Malibu or Venice, I would still be really happy.

We've been spending this kind of ramp up time from the time we started the company to now with a lot of different projects in development. What we aren't doing is saying, "We have to do this, this and this." Because the "this, this and this" might not be ready and you don't want to go and make something that's not ready.