The hard surface of the stone is impervious to nothing in the end. The heat of the sun leaves evidence of daylight. Each drop of rain changes the form; even the wind and the air itself, invisible to our eyes, etches its presence. … All history is taken in by stones.

Yes we are devilish; that is true we cackle. Yes we are dark like the soil and wild like the animals. And we turn to each other and stare into this darkness. We find it beautiful. We find this darkness irresistible. We cease all hiding.

I think artists can go to a level of vision that can often save us from a situation which seems to have no solution whatsoever.

I love that moment in writing when language falls short. There is something more there. A larger body. Even by the failure of words I begin to detect its dimensions. As I work the prose, shift the verbs, look for new adjectives, a different rhythm, syntax, something new begins to come to the surface.

Telling a story of illness, one pulls a thread through a narrow opening flanked on one side by shame and the other by trivia.

we are nature. We are nature seeing nature. We are nature with a concept of nature. Nature weeping. Nature speaking of nature to nature.

This earth is my sister; I love her daily grace, her silent daring, and how loved I am. How we admire this strength in each other, all that we have lost, all that we have suffered, all that we know: We are stunned by this beauty, and I do not forget: what she is to me, what I am to her.