I think artists can go to a level of vision that can often save us from a situation which seems to have no solution whatsoever.

I think artists can go to a level of vision that can often save us from a situation which seems to have no solution whatsoever.

Is it a coincidence that stories from the private life became more popular just as the grand hope for public redemption through revolution was beginning to sour? I witnessed a similar shift in taste in my own time. In the 1960s, while a hopeful vision of a just society arose again, countless poems and plays concerning politics and public life were written, read, and performed. But after the hope diminished and public life seemed less and less trustworthy, this subject was less in style.

Even in the grimmest of circumstances, a shift in perspective can create startling change.

In one sense I feel that my book is a one-woman argument against determinism.

Every important social movement reconfigures the world in the imagination. What was obscure comes forward, lies are revealed, memory shaken, new delineations drawn over the old maps: it is from this new way of seeing the present that hope emerges for the future...Let us begin to imagine the worlds we would like to inhabit, the long lives we will share, and the many futures in our hands.

This earth is my sister; I love her daily grace, her silent daring, and how loved I am. How we admire this strength in each other, all that we have lost, all that we have suffered, all that we know: We are stunned by this beauty, and I do not forget: what she is to me, what I am to her.