In one sense I feel that my book is a one-woman argument against determinism.

Every important social movement reconfigures the world in the imagination. What was obscure comes forward, lies are revealed, memory shaken, new delineations drawn over the old maps: it is from this new way of seeing the present that hope emerges for the future...Let us begin to imagine the worlds we would like to inhabit, the long lives we will share, and the many futures in our hands.

But still, the other voice, the intuitive, returns, like grass forcing its way through concrete.

Telling a story of illness, one pulls a thread through a narrow opening flanked on one side by shame and the other by trivia.

Poetry is a good medium for revolutionary hope.

To make love is to become like this infant again. We grope with our mouths toward the body of another being, whom we trust, who takes us in her arms. We rock together with this loved one. We move beyond speech. Our bodies move past all the controls we have learned. We cry out in ecstasy, in feeling. We are back in a natural world before culture tried to erase our experience of nature. In this world, to touch another is to express love; there is no idea apart from feeling, and no feeling which does not ring through our bodies and our souls at once.

The hope you feel when you are in love is not necessarily for anything in particular. Love brings something inside you to life. Perhaps it is just the full dimensionality of your own capacity to feel that returns. In this state you think no impediment can be large enough to interrupt your passion. The feeling spills beyond the object of your love to color the whole world. The mood is not unlike the mood of revolutionaries in the first blush of victory, at the dawn of hope. Anything seems possible. And in the event of failure, it will be this taste of possibility that makes disillusion bitter.