I collect Victorian automata and coming across them in the dark does give you a little shudder.

A book which is left on a shelf is a dead thing but it is also a chrysalis, an inanimate object packed with the potential to burst into new life.

This gardener will be out in the very early morning and from late afternoon, attentive to small changes in the quality of light and the atmosphere, as well as to every nuance of the season, which combine to create perfection.

The key word for my book The Woman in Black is unsettling... because you're not terrified all of the time or even frightened, but you're unsettled and once you're unsettled, then the door's open.

Certainly with a book, people are going to be able to read it and give themselves permission to have that delicious feeling of being terrified because they're in a safe place while they're reading. That's what you can rely on as a writer, that people can let themselves be really frightened because they're really all right. Being frightened when you're not sure you're all right is a big difference.

My head reeled at the sheer and startling beauty, the wide, bare openness of it. The sense of space, the vastness of the sky above and on either side made my heart race, I would have travelled a thousand miles to see this. I had never imagined such a place.

I collect Victorian automata and coming across them in the dark does give you a little shudder.