To the large extent that music can organize our perceptions of our own bodies and emotions, it can tell us things about history that are not accessible through any other medium.

To the large extent that music can organize our perceptions of our own bodies and emotions, it can tell us things about history that are not accessible through any other medium.

The point of recapitulation in the first movement of the Ninth [Symphony of Beethoven] is one of the most horrifying moments in music, as the carefully prepared cadence is frustrated, damming up energy which finally explodes in the throttling, murderous rage of a rapist incapable of attaining release.

Rather than protecting music as a sublimely meaningless activity that has managed to escape social signification, I insist on treating it as a medium that participates in social formation by influencing the ways we perceive our feelings, our bodies, our desires, our very subjectivities - even if it does so surreptitiously, without most of us knowning how. It is too important a cultural force to be shrouded by mystified notions of Romantic transcendence.

Most people have music in the center of their lives. I believe my work sheds light on how music affects us and why it is so influential.

Sexuality ... is at the same time the most personal of realms and also the realm most carefully constrained by social order.

Tonality itself - with its process of instilling expectations and subsequently withholding promised fulfillment until climax - is the principal musical means during the period from 1600 to 1900 for arousing and channeling desire.