I've always been afraid of video games - not afraid that I wouldn't like them, but that I would like them too much, and that after mere seconds in front of any particularly bright and absorbing game, I would abandon all ambition, turn into a mouth-breathing zombie, and develop a wide, sofa-shaped rear end.

Writing about fashion forces you to overcome the nagging feeling that fashion doesn't "matter", that it's trivial or fleeting. I just look at it anthropologically, which is different from the way I'd write about art.

When I was a kid, Halloween was strictly a starchy-vegetable-only holiday, with pumpkins and Indian corn on the front stoop; there was nothing electric, nothing inflatable, nothing with latex membranes or strobes.

To my great surprise, Twitter is not housed in a silver pod that orbits Earth at supersonic speeds, vacuuming up and then dispersing digital bits of worldwide chitchat; it's in a big, bland office building in downtown San Francisco, near a bowling alley and an Old Navy.

On the very same day that I ordered an iPad 2, I went shopping to buy myself a letter opener. I like to cover all my bases.

I would argue that it might be easier to endure loneliness than to endure the idea that you might disappear.

You have to appreciate the spiritual component of having an opportunity to do something as wondrous as writing. You should be practical and smart and you should have a good agent and you should work really, really hard. But you should also be filled with awe and gratitude about this amazing way to be in the world.