Sometimes the painting starts to relate very directly to either sights seen or experiences felt, other times it just goes off on a tangent that you really can’t articulate.

I think there has to be an interesting transformative process between your perception of reality and making the paintings. If you are just trying to render what you see you are not entering into a transformative process. And that's what makes a good painting: the process of transforming and the willingness to leave reality behind.

Some of the pictures are truly mysterious to me.. which is why I so often say publicly that I don't know or don't care what they're really about. And yet I can also say that the paintings are prayers.. that they have to do with whatever it is that makes you want more than what daily life affords.

Most of my painting is done sitting in a chair with a book. I'd say it's 80 per cent sitting and reading, 10 per cent eating and ten per cent painting.

You build up a head of steam. If you're four days out of the studio, on the fifth day you really crash in there. You will kill anybody who disturbs you on that fifth day, when you desperately need it.

I think artists almost always end up turning to what's around them, what's in their environment or outside their window.

I can say that paintings are prayers, they have to do with anything that makes you wish for more that what everyday life provides.