It's still not easy to find roles that offer more complex images of women.

I was very withdrawn and definitely played with dolls well into eighth grade. But I was the oldest of nine, and that grounded me in a way that I don't think I would have been grounded otherwise. So I was able to - or forced to - function practically. But I think, by nature, I was someone who lived in my head, in my imagination.

I've always had a really developed sense of justice. As a child, I would rotate my dolls' dresses for fear that they might come alive at midnight and one of them would always have the best dress on. Whatever it was that made me worry about my dolls I suppose has paid off in my career because, really, an actor is all about empathy and imagination. And those are the cornerstones of activism.

Every time you enter into a job it's a whole new universe. There's a new language with a new power structure. If you are in an all Black cast its a different dynamic, the same with an all male cast or a crew that is mainly women.

What is fabulous about gay marriage is that it redefines the gender designated jobs, then you throw in transgender and you don't just have the five primary colors of the crayons. We have to really look at what it means to be a man or a woman in a much more generous and creative way.

I was a voracious reader and the library fed my curiosity, imagination and my soul. I read by the shelf - biographies, fantasy - all and everything fed my dreams. Then as an adult whenever I would go on location the first thing we would do as a family is sign up at the closest library. Not only would we find books, but what was happening in that town, because the library is the head of the community.

My aunt had given me these rosary beads that were glow-in-the-dark. So all of a sudden I look down and they're glowing, and I'm looking toward the door and thinking, "Oh, my God, I don't want anything to come though here. I'm not worthy, I'm not ready." I didn't want to be one of those kids who sees Our Lady of Fatima.