My aunt had given me these rosary beads that were glow-in-the-dark. So all of a sudden I look down and they're glowing, and I'm looking toward the door and thinking, "Oh, my God, I don't want anything to come though here. I'm not worthy, I'm not ready." I didn't want to be one of those kids who sees Our Lady of Fatima.

The trouble with being an activist is you end up like Eve and you get kicked out of the Garden of Eden. You know, Eve was the first person who thought for herself. And she still gets a bad rap. I named my daughter after her.

I think you have to ask yourself, what is the point of the script? What is the script selling? Because all scripts are political, every story is political. It either challenges or reinforces some schism or stereotype. So what is the project going to say at the end of the day? What does it tell you about the world, or what does it challenge in terms of your world?

Sometimes what happens is that, when you micromanage actors and moments, it just doesn't quite live.

What is fabulous about gay marriage is that it redefines the gender designated jobs, then you throw in transgender and you don't just have the five primary colors of the crayons. We have to really look at what it means to be a man or a woman in a much more generous and creative way.

It didn't seem to have relevance, except in Central America or South America, countries where the church was connected to the fight of the people for economic justice. That's why it was so interesting to find myself back with Sister Helen [in Dead Man Walking], this new breed of nuns who were making a difference in the community.

The only thing I can talk about is just forgiving yourself, because I do not have everything together. And so I tell people: No, you should see my house, it's a mess.