I think where you get into trouble - for instance the mixing of sex and violence - is when you're telling an audience that this horrible thing is enjoyable. The suffering just gets out of hand too much. It becomes pornographic.

I am optimistic. I think that there are a lot of women producing things, not necessarily in the studios. Actresses are putting stuff together. I think there are more stories about women of color [and] older women. But it is slim pickings.

I think where you get into trouble - for instance the mixing of sex and violence - is when you're telling an audience that this horrible thing is enjoyable. The suffering just gets out of hand too much. It becomes pornographic.

Everyone has a responsibility towards this larger family of man, but especially if you're privileged, that increases your responsibility.

This Catholic thing, I think what it does is it makes a place for mystery in a person. And even when the faith goes away, there's that space where you crave something bigger than yourself. For me, that's kind of where art came in, after that.

I've just come back from Vegas, and I was in on the caucus process. It's insane. What a mess. And also with these particular candidates who are running, so many times I said, "I just wish Kurt Vonnegut were alive." This is like something he would be writing. This is just crazy stuff. I would love to hear his take on it.

I think you have to ask yourself, what is the point of the script? What is the script selling? Because all scripts are political, every story is political. It either challenges or reinforces some schism or stereotype. So what is the project going to say at the end of the day? What does it tell you about the world, or what does it challenge in terms of your world?