Sometimes when you have to go into something, unless you're gifted and can just turn it on and off like a jukebox, you find someplace where there's nothing going on to get yourself into whatever state your character is entering into.

In the U.S., they just want to know who you're sleeping with.

My aunt had given me these rosary beads that were glow-in-the-dark. So all of a sudden I look down and they're glowing, and I'm looking toward the door and thinking, "Oh, my God, I don't want anything to come though here. I'm not worthy, I'm not ready." I didn't want to be one of those kids who sees Our Lady of Fatima.

I believe in using words, not fists.

You have to take away the idea that something you do is right or wrong. I don't think there's a right or a wrong; I think there's an "it works" or "it doesn't work" for the whole. And that's why you need a director you trust, so you can just keep throwing out suggestions.

That's one of my little expressions. I never really studied acting so I kind of kiddingly talk about "building your circle" and "mooding up," because I really didn't learn any technique.

When I grew up in the church, we were praying because the Communists were going to come over and hang you upside down on a cross, and I so wanted to be a good person, and I had these rosary beads that I would sleep with every night, and I just wanted the blessed Virgin to be on my side.