Unfortunately, moral beauty in art - like physical beauty in a person - is extremely perishable. It is nowhere so durable as artistic or intellectual beauty. Moral beauty has a tendency to decay very rapidly into sententiousness or untimeliness.

To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge-and therefore, like power.

What I expect from writers-and from myself as a writer-is to articulate a complex view of things. To incite us to be more compassionate. To orchestrate our mourning. And to celebrate ecstasy.

I discovered that I am tired of being a person. Not just tired of being the person I was, but any person at all

We live under continual threat of two equally fearful, but seemingly opposed destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.

I want to be able to be alone, to find it nourishing - not just a waiting.

The whole point of Camp is to dethrone the serious. Camp is playful, anti-serious. More precisely, Camp involves a new, more complex relation to "the serious." One can be serious about the frivolous, frivolous about the serious.