... liberal intellectualstend to have a classical theory of politics, in which the state has a monopoly of power; hoping thatthose in positions of authority may prove to be enlightened men, wielding power justly, they are natural, if cautious, allies of the "establishment.

When you are writing, you are - from society's point of view - only producing the first version which will then be processed and recycled.

War is elective. It is not an inevitable state of affairs. War is not the weather.

The quote is always fascinating because it changes out of context, becomes different and sometimes more mysterious. It has a directness and assertiveness it may not have had in the original. I think the quality of inaccessibility, the mystery, is important - that whatever matters can't be taken in on just one reading or one seeing. This is certainly a quality of the little of art that lasts.

In contrast to the written account-which, depending on its complexity of thought, reference, and vocabulary, is pitched at a larger or smaller readership-a photograph has only one language and is destined potentially for all.

Any photograph has multiple meanings: indeed, to see something in the form of a photograph is to encounter a potential object of fascination. The ultimate wisdom of the photographic image is to say: “There is the surface. Now think – or rather feel, intuit – what is beyond it, what the reality must be like if it looks this way.’ Photographs, which cannot themselves explain anything, are inexhaustible invitations to deduction, speculation, and fantasy

Knowing a great deal about what is in the world art, catastrophe, the beauties of nature through photographic images, people are frequently disappointed, surprised, unmoved when the see the real thing. For photographic images tend to subtract feeling from something we experience at first hand and the feelings they do arouse are, largely, not those we have in real life. Often something disturbs us more in photographed form than it does when we actually experience it.