Life is a movie; death is a photograph.

Enemies are somewhere else, as the fighting is almost always “over there,” with Islamic fundamentalism now replacing Russian and Chinese communism as the implacable, furtive menace. And “terrorist” is a more flexible word than “communist.” It can unify a larger number of quite different struggles and interests. What this may mean is that the war will be endless---since there will always be some terrorism.

It is not the position, but the disposition.

[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.

My skull is crammed with quotations.

Modern discussions of the possibility of tragedy are not exercises in literary analysis; they are exercises in cultural diagnostics, more or less disguised.

The writer must be four people: 1) The nut, the obsede 2) The moron 3) The stylist 4) The critic. 1 supplies the material; 2 lets it come out; 3 is taste; 4 is intelligence.