Enemies are somewhere else, as the fighting is almost always “over there,” with Islamic fundamentalism now replacing Russian and Chinese communism as the implacable, furtive menace. And “terrorist” is a more flexible word than “communist.” It can unify a larger number of quite different struggles and interests. What this may mean is that the war will be endless---since there will always be some terrorism.

A lot of what I've written in criticism of my lust for virtue - my discovery that I've committed idolatry, making of the good an idol - is open to the charge of being still caught within the dialectic of idolatry. I've made a moral criticism of my moral consciousness. Meta-idolatry.

To be an artist or a writer is to be this weird thing - a hand worker in an era of mass production.

The camera can be lenient; it is can also expert at being cruel. But its cruelty only produces another kind of beauty, according to the surrealist preferences which rule photographic taste.

AIDS occupies such a large part in our awareness because of what it has been taken to represent. It seems the very model of all the catastrophes privileged populations feel await them.

[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.

The best emotions to write out of are anger and fear or dread. The least energizing emotion to write out of is admiration. It is very difficult to write out of because the basic feeling that goes with admiration is a passive contemplative mood.