[On marriage:] It is an institution committed to the dulling of the feelings.

A photograph comes into being, as it is seen, all at once.

[T]he visibility of styles is itself a product of historical consciousness. ... The very notion of "style" needs to be approached historically. Awareness of style as a problematic and isolable element in a work of art has emerged in the audience for art only at certain historical moments - as a front behind which other issues, ultimately ethical and political, are being debated.

Ideas disturb the levelness of life

The particular qualities and intentions of photographs tend to be swallowed up in the generalized pathos of time past.

Remember when you hear yourself saying one day that you don't have time anymore to read or listen to music or look at paintings or go to the movies or do whatever feeds your head now. Then you're getting old. That means they got you, after all.

One could plausibly argue that it is for quite sound reasons that the whole capacity for sexual ecstasy is inaccessible to most people - given that sexuality is something, like nuclear energy, which may prove amenable to domestication through scruple, but then again may not.