You can always be quoted.

We live under continual threat of two equally fearful, but seemingly opposed destinies: unremitting banality and inconceivable terror. It is fantasy, served out in large rations by the popular arts, which allows most people to cope with these twin specters.

Persons who merely have-a-life customarily move in a dense fluid. That's how they're able to conduct their lives at all. Their living depends on not seeing.

The possession of a camera can inspire something akin to lust. And like all credible forms of lust, it cannot be satisfied.

Tamed as it may be, sexuality remains one of the demonic forces in human consciousness - pushing us at intervals close to taboo and dangerous desires, which range from the impulse to commit sudden arbitrary violence upon another person to the voluptuous yearning for the extinction of one's consciousness, for death itself. Even on the level of simple physical sensation and mood, making love surely resembles having an epileptic fit at least as much as, if not more than, it does eating a meal or conversing with someone.

Art is a form of consciousness.

Our task is not to find the maximum amount of content in a work of art, mush less to squeeze more content out of the work than is already there. Our task is to cut back on content so we can see the thing at all. The aim of all commentary on art now should be to make works of art - and, by analogy, our own experience - more, rather than less, real to us.