Ambition, if it feeds at all, does so on the ambition of others.

The highest vocation of photography is to explain man to man.

I can't say I know how to change the society, but I share the feeling that this society is full of technology which depersonalizes people, which seems to drain a sense of reality from our lives. It's full of a lot of other things too.

The two pioneering forces of modern sensibility are Jewish moral seriousness and homosexual aestheticism and irony.

Love dies because its birth was an error.

The "happening" operates by creating an asymmetrical network of surprises, without climax or consummation, this is the alogism of dreams rather than the logic of most art.

The photographer both loots and preserves, denounces and consecrates.