One could plausibly argue that it is for quite sound reasons that the whole capacity for sexual ecstasy is inaccessible to most people - given that sexuality is something, like nuclear energy, which may prove amenable to domestication through scruple, but then again may not.

Someone who is perennially surprised that depravity exists, who continues to feel disillusioned (even incredulous) when confronted with evidence of what humans are capable of inflicting in the way of gruesome, hands-on cruelties upon other humans, has not reached moral or psychological adulthood.

Thinking, writing are ultimately questions of stamina.

My urge to write is an urge not to self-expressionism but to self-transcendence. My work is both bigger and smaller than I am.

Desire has no history.

To us, the difference between the #‎ photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from #‎ photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.

photographs alter and enlarge our notions of what is worth looking at and what we have a right to observe. They are a grammar and, even more importantly, an ethics of seeing.