Norman Mailer records in his recent essays and public appearances his perfecting of himself as a virile instrument of letters; he is perpetually in training, getting ready to launch himself from his own missile pad into a high, beautiful orbit; even his failures may yet be turned to successes.

Images anesthetize. An event known through photographs certainly becomes more real than it would have been if one had never seen the photographs ... But after repeated exposure to images it also becomes less real. ... 'concerned' photography has done at least as much to deaden conscience as to arouse it.

I haven't been everywhere, but it's on my list.

The highest vocation of photography is to explain man to man.

Detachment is the prerogative of an elite; and as the dandy is the nineteenth century's surrogate for the aristocrat in matters ofculture, so Camp is the modern dandyism. Camp is the answer to the problem: how to be a dandy in the age of mass culture.

Ours is a society in which secrets of private life that, formerly, you would have given nearly anything to conceal, you now clamor to get on a television show to reveal.

The photographer both loots and preserves, denounces and consecrates.